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#REWIRE RENOISE NOTHING SHOWS UP PRO#Im not saying gear selection makes you pro, but shopping for gear at Best Buy could hurt your chances of ever attaining that coveted pro status, especially if you never take the time to learn what you invest in, how many people who voted for FL studio know about the panning laws of the program or look at the Fq response chart before investing in monitors or even shoot-out multipule monitors before making a choice? how many of these people realize the most important part of recording is the transducers at the beginning and end of signal flow? I feel that while it may be “fun” to argue the semantics of the Best DAW, in a forum where any uneducated moron can make multipule votes for what ever crap they feel is the best (most likely never having experienced anything beyond what they voted for) is kinda like going into a bar in Texas and announcing that you like obama, hate christianity and think people who don’t drink anything more flavorful than Budweiser are stupid hicks…. #REWIRE RENOISE NOTHING SHOWS UP HOW TO#Want a crappy hobbiest sound use FL and mix through the cheapest monitors you can get from Guitar Center “I got these KRK’s because I like yellow…” it amazes me that people act so frugal towards buying gear, never taking the time to learn it, then they ask all kinds of stupid questions that could easily be answered by reading past page two of the manual, and after they get their “rtfm” answer from some forum full of other armatures like them, they stomp around the Internet touting their new knowalge like they created the idea and they are the next Eno, criticizing people that have been doing their thing for years and know the gear they use… Wow you bought FL studio, the cheapest laptop, cables and monitors you could find then got on Craigslist and bought a some crappy midi controller, got online and some guy told you how to set it all up, now your a pro. I think people hate of FL because it has a armature feel and sound to it. You can tell, Cockos has a passion for what they are doing. #REWIRE RENOISE NOTHING SHOWS UP LICENSE#Oh, Reaper is free, they don’t believe in wrapping your music production tools with license software. If you are interested in seeing how awesome Reaper is and how slick i’ve customized mine, hit me up, I will email you the Theme. If any of you new young producers want to attempt to learn a real DAW, try Reaper first. What do I do with my other monitors? Oh, one more thing that is completely retarded about Ableton, they used CC74 for volume slider# 2 by system default, so ableton says you have to open a system config file, retype it, save it, relaunch ableton, but it never worked… I donno but, i’ve been using CC74 since 1988. U think maybe bitwig is just a secret plot to toss a bad engine for a newer better one? Just saying, something as simple as dual monitors and Ableton can’t get it right yet. I’ve compared all of their time stretch algorhythms against other DAW’s and i’m sorry to break the news, but Ableton is complletely destroying all your audio. One thing I notice most about Ableton is that they are credited to be the kings of time strecthing. Robert Henke and his staff made several comments on the users help forums and feature wishlists explaining that due to the way the engine was written they can not meet the users requests. They cant even add features because they can’t figure out how to fix the bugs. Ableton has to be by far the most limited audio tool that exists today. i guess there are just a bunch of young kiddies playing with ableton an remain isolated from the rest of the world’s innovation & history of music production technology. vince clarke (now on logic) used to use the UMI sequencer on a BBC Micro until very recently. most of the DJ’s / dance / electronic music producers i know use ableton or ableton rewired into logic. the people i know who do tour programming use digital performer (’cause you can load up all the tracks in a set and switch between them on the fly, no loading times and no giant 2 hour long sessions). pretty much all the tracking engineers and mixers i know (including me) use protools. basically, what silspok said.įwiw, pretty much all the composers i know use logic. If the question really means “what’s your favourite DAW?” surely it’s just whatever works best for you. #REWIRE RENOISE NOTHING SHOWS UP SOFTWARE#i mean, no-one (except a masochist) is going to use ableton to record multiple takes of an multi-mic’d orchestra with multiple headphone mixes, locked to picture.Īll the bits of software in the list are (objectively) just a little bit less than miraculous, but they all do different things differently well. Seems like an odd question – depends what you mean by “best”. ![]()
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